Tuesday, April 28, 2020
Essay Topics
Essay TopicsVirginia Tech's Office of the Registrar offers many essay topics for you to choose from. As a student it is your duty to offer your opinion on these topics. There are a few things that you should know about essay topics and essay writing.Different people have different opinions on many things. The same is true in essay writing. Therefore, before you start your essay I would suggest that you do some research about the topic that you are going to write about.Even if you don't want to read all of the essay topics that the registrar has available then you can at least try to look at some of them. There are some helpful tips that I will offer with this article that will help you learn more about some of the essay topics that the registrar offers.First of all let's look at the way the student's class will choose topics. The registrar will ask you to name the topic. After you have chosen the topic you should have a list of topics. Once you have narrowed down the list, you can th en start writing an essay on the topic.The first thing that you should do when you start writing about any college essay topics is to begin by defining the topic. You must come up with a name for the topic. This is the way that the students will be able to remember the topic. They will see that the topic is about something or they will ask you what it is and you will know what the topic is.The second step to writing successful college essay topics is to use information from the topic that you chose. It will help to research and learn as much as you can about the topic that you chose. Use the information from the topic and make sure that you use the exact words that you listed. The more information that you can add to the topic the better.The last step to writing successful college essay topics is to make sure that you know the topic. As I said before, this is the very important step because this is how the students will remember your topic. They will also be able to understand your point of view on the topic. Remember, there are many essay topics that you can choose from and with a little effort you can find the one that will fit your essay writing needs.
What Does Humble Mean To You?
What Does Humble Mean To You?What does humble mean to you? It could be as simple as the opinion that it is a very easy word to say, or perhaps you think it means a kind of weakness in character. Either way, when you know exactly what it means to you, you can then begin to translate it into an essay that you would be proud to submit to the college admissions committee.The first thing to consider about what does humble mean to you is what the word has to do with the meaning of the words. We often speak of humble in a superficial sense as if to give a false meaning, since in reality we are all humblest in the eyes of God and his angels. We take pride in our fearlessness, our unfailing faith and the fact that we have no true fear. We demonstrate our humbleness in action as well as in thought and in our lives.There is nothing wrong with writing a sample essay that uses the word humble in a negative way. How do we do this? It is simple, don't use the word at all, and instead use the verb h umble and the noun form of it such as 'fearless'a complete mind.' What that means is you can be humble in the way you treat yourself, in your approach to life and in the things you do.The second thing to consider is what it means to be humbled or humble in the eyes of others. You might see a story in the news where someone was humiliated and called a 'hypocrite' because of their lack of self-righteousness or selfishness. A person that is humbled by this mistake might be said to be humble, but again, there is nothing wrong with using the word in a positive sense. It is your opinion only, but you can use the word in the positive sense without it being false to yourself.Now what does humble mean to you and how is it defined? It means honorable, pious and kind. This definition implies that we are just like everybody else, when really we are special in our own way. So many of us only take part in society as an observer, but for some people who truly believe in what they believe, it is th eir destiny to make a difference, even if it is only for themselves.In order to be humbled, you must also be humble. When a man is humbled, he is embarrassed about it and he is ashamed. He realizes that he did something wrong and he realizes that God does not love him for what he is, but because of who he is. For this reason, he must be humble in all things.Samples of this type of written essay have been around for a very long time, with an ancient Greek and Roman culture being the most likely origins of the idea. They were used to demonstrate the importance of caring for one's self and how to be more self-sacrificing. Nowadays, these essays can be used to highlight the strength of character and the inherent worthiness of a person. So, even if you write a sample essay that talks about humility, be sure that it does not become a blanket word for weakness. It is important to focus on the positive side of life and not rely on it too much to help you get into college.With so many opport unities to earn a degree now offered by many colleges, many students today feel as though they have to take an extended term study in order to earn the credits needed for graduation. While some people might need to take some time off from their studies after having their children, other students need to continue their studies as soon as possible so that they can be on their way to a better life. You can use the term humble in the right way to describe your attitude and that of your family and friends so that you can earn the credits needed to get into a better school.
Tuesday, March 31, 2020
The presentation of Silas Marner in chapter 1+2, and comment on settings and any themes Essay Example
The presentation of Silas Marner in chapter 1+2, and comment on settings and any themes Paper George Eliot, which is the pseudonym of Mary Ann Evans, was a prolific writer during the 19th century and could also translate German and was interested in philosophy. The book, Silas Marner, was written at a time of great demographic change and during the industrial revolution in 1861. In the book she uses many different and superlative techniques, such as breaking up the story between passages of moralising and narrative, to convey to the reader, the settings and details of Silas Marners journey The Story is set mainly in Raveloe, although it also describes Lantern Yard when we learn about Silass past. Raveloe is a rural community, which may have a biological link to Eliots home, the Arbury estate in Warwickshire, full of rich people, some of whom didnt even need to be good farmers to earn their living with surplus left over. The village held a nostalgic view of life and were bewildered by the concept of Silass profession, weaving. They were confused by how thread was made into clothing and were suspicious of the newcomer, Silas, Because of this they thought he was in league with the devil. We will write a custom essay sample on The presentation of Silas Marner in chapter 1+2, and comment on settings and any themes specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The presentation of Silas Marner in chapter 1+2, and comment on settings and any themes specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The presentation of Silas Marner in chapter 1+2, and comment on settings and any themes specifically for you FOR ONLY $16.38 $13.9/page Hire Writer However, the other environment depicted is Lantern Yard, which was Silass home town before he was expelled. Lantern Yard is a poor artisan community and even the name suggests that is a place which is dark where no one goes. However the inhabitants are all close friends and all gather together for the church services. In chapter 1we learn that Silas is pallid, because he doesnt much, and short sighted , the result of day-to-day weaving. His most distinctive feature are his eyes, which are bulging, making people afraid because they thought he had the evil eye, this evil eye makes him seem alienated to us. However his eyes also described as eyes which have a deer like gaze which portrays to us, his innocence and that he is vulnerable about herbs, which makes people think he is practising witchcraft, but is also very san and honest, because of the way he doesnt take advantage of the fact that the citizens of lantern yard think he has risen from the dead In Chapter 1 we also learn about Silass catalepsy, first discovered by Jem Rodney, who is a mole catcher, which leaves him in a state of temporary suspension of physical and psychological . His catalepsy plays an important role in the book because whebn he was still in Lantern Yard, the villages thought he had come back from the dead and treated him like a celebrity afterwards, but catalepsy then allows William Dane to steal the deacons money. However, in Raveloe they thought his soul had left his body to trained by the devil,w hich makes the villages suspicious of him even more. Lantern Yard meant a lot to Silas as it was the framework of his life and supplied him with attendance of church service and a social circle, which is lost when he settles at Raveloe. Back at Lantern Yard when he was morally scrupulous and didnt take advantages of tempting situations. Part of Silass social circle was William Dane, who was his best friend, but we soon learn to be cautious of him when Eliot describes him to be dazzled by his own light, which would have been recognized by the Victorian audience as a reference to Lucifer, but also of the fact that he had narrow slanting eyes and compressed lips. When William Dane had stolen the deacons money, the members of the Lantern Yard sect blamed it on Silas, because of Silass catalepsy, he suffered the full consequences of the incident and was expelled. By being expelled from the sect he lost the very framework and foundation of his life and also lost his friends and fiance. This whole tragic experience left Silas without religion as well, as he calls God the God of lies. After we discver about the escapade at Lantern Yard ,we learn the reason why Silas chooses to settle in Raveloe. He chose Raveloe because it was nothing like Lantern Yard in terms of community and landscape, this helped him to forget about the painful experiences of Lantern Yard and in Raveloe he believed that he had escaped the god of lies who betrayed him. The location of Silas cottage is also very significant, because it is not far from the edge of a deserted stone-pit which serves as both a narrative and symbolic function. It is symbolic because the graveyard is barren and dead just like him because no one knows him. Towards the end of the chapter we learn about Silass affection towards the gold, which he has earned from all his weaving. The gold plays an important role in the story and it also means a lot to Silas because they are his surrogate friends would now. Gold also never loses its value which is important to Silas as this meant his friends wouldnt lose their worth like William Dane did. Eliot cleverly use natural imagery to describe Silass way of life and also his state of mind, she shows us with this imagery that Silass work are now his life and almost nothing meant more to him now.
Saturday, March 7, 2020
Tips for Submitting to Literary Magazines
Tips for Submitting to Literary Magazines As editor of the Maine Review, Im often asked what I look for in submissions. As a writer who has submitted to literary magazines, I know the process is fraught with anxiety, hope, and an occasional bit of dread. Its sad that theres no easier way for editors to discover excellent writing than through an impersonal submission process, and I hope that Let me say first that there would be no Maine Review, or New York Times, or Amazon.com without writers. Though writers often feel theyre at the bottom of the totem pole, the fact is that writing is actually the cornerstone of the entire industry. Be proud that youre a writer. As an editor, its a thrill for me to read a piece of writing that grabs me in the first paragraph, carries me along, and moves me in some waywhether to tears, laughter, or amazement that someone could so clearly express powerful feelings, ideas, and metaphors that I can deeply relate to as a fellow human being. Writing is powerful.Ã The process of writing can be powerful, healing, enraging, ennobling its one of the purest forms of self-expression because it comes straight from inspiration. What many writers ignore (or dont realize) is that theres a second part to the process, and that is craft. There are many excellent books on craft: Stephen Kings On Writing and Anne Lamotts Bird Over the years, Ive edited books in every genre, and Im amazed that some writers will write a novel without reading over it to tighten, focus, delete, and expand to make the book as compelling as possible.Ã Rewriting isnt always as fun as penning the first draft, but its what truly makes the story. That said, here are a few tips to keep in mind when submitting: 1. Find out what kind of work the lit mag publishes, and choose your submissions accordingly. You can often get a copy through your interlibrary loan system, or find previously published issues on the website. 2. Go deep. Readers love to experience what theyre reading, to relate to it on a visceral or emotional level. Gutsy writing is always appreciated. 3. Reading a piece through without noticing an error is a real joy for editors. I always suggest that writers have their work edited before submitting it anywhere. At least run the work through the spell checker, and fix what comes up. One or two typos doesnt mean the end of the world, but a piece that has numerous typos feels carelessly done, no matter how good the writing. 4. Follow instructions. Its amazing how many people, in every walk of life, fail to follow instructions. At the Review, we usually ask for a cover page along with a submission, so that we can easily keep track of a writers contact info. When were running a contest (deadline for the current contest is February 10th), we need a separate cover sheet to tag entries for the blind judging process. When we receive a submission that doesnt follow instructions, theres a tendency to assume that the writing might not be that good either even if thats often not true. Above all, enjoy the process of writing! Remember that editors love discovering the next great writer and it could be you. Good luck!
Thursday, February 20, 2020
Thinking Through Religion Essay Example | Topics and Well Written Essays - 1250 words
Thinking Through Religion - Essay Example The assertion, "The unexamined life is not worth living", by Socrates is great for the clear-cut and straightforward message it gives. No ambiguity is involved, and it gives no scope for doubt. No purpose is served in the life of an individual, who is born and walks up to the grave! Every human being is endowed with an inner world to delve deep into it and to understand the real purpose of life and develop the technique to lead a spiritual life. The nobler instincts are more powerful than the desire that draws one to the secular comforts. The core desire of a human being is to search for meaning and purpose of life. The divine beauty of the inner world is the subject of practical experience. Wise men have written millions of pages about joy and happiness, but unless one crosses the barrier of mind and reaches the level of transcendence to enjoy the state of bliss, oneââ¬â¢s life remains unexamined and it is the state of incompleteness. When one possesses the will to grow, not bein g satisfied with the state of status-quo, take it as the beginning of progress. The process of investigation is the continuous one and inner search means practical spirituality in which state every thought and action is positive and the individual visualizes divinity and unity in the working of the cosmos. He sees unity in diversity. Manââ¬â¢s search for meaning of life is the fundamental force of life and it is within everyone. With the procedure detailed in the sacred texts, the practical vision of divinity is attainable reality and that is the true purpose of life. To know the essence of human existence is the be all and end all of life. Each individual has to find the answer to his question, with investigation. Life is a continuous process of search of the unknown and the challenges on the path of investigation provide an opportunity for an individual to test his determination and will. Personal growth and spiritual growth are alternative beats of the same heart. Moreover, it is equally important to know that one's life happiness does not come from or depends on the other or though conditionings in the external world. Others can only contribute to trigger feelings, but an individual must search oneââ¬â¢s own happiness. Thus, one's life is worth living when one remains involved in the process of self-examination in order to find true meaning and happiness of life. An unexamined life is not worth living. 2. Anthropic Principle means relating to human beings or their existence. Our existence on this Planet Earth depends on many cosmological considerations and even if a slight deviation in those factors would mean that we will not exist at all. The cosmos functions on countless alignments. The question arises, is it possible that such an arrangement exists merely by chance? Philosophers and the well-meaning scientists conclude that it is God who has that ultimate and immeasurable capacity and He has fine-tuned this Planet Earth for our existence. The rec ent advances in astronomy and physics have led the scientists to strongly conclude that there is ââ¬Ëthe soul at the heart of the universeââ¬â¢. This has led them to the process of self-examination and questions like: Who are we? Why are we here? What is God? For the first time in the known history of humankind, the contemporary scientists, theologians and mathematicians are likely to arrive on a common platform and their unanimous decision about the existence of God! ââ¬Å"The Soul of the Universeâ⬠, is a remarkable program (video) on this fascinating and mind-boggling issue. I entirely agree with the anthropic principle and it goes in tandem with the spiritual truth. In fact, spirituality is the science of sciences. That which is not practical, and amenable to experiments, cannot be spiritual either. Consider the structure of protons. It has direct bearing on the livability of our Planet and consequently on the life of humankind. Some more examples that go to prove the
Tuesday, February 4, 2020
Humn Recourse Mngement in Indi Essay Example | Topics and Well Written Essays - 4250 words
Humn Recourse Mngement in Indi - Essay Example It occupies strtegic loction in South si for interntionl trde. With n re of 3.3 million squre km, Indi is the second lrgest country in si nd the seventh lrgest in the world. former British colony, Indi hs emerged s the lrgest democrcy in the world since independence in 1947. Indi is the birthplce of three of the world's min religions: Hinduism (bout 7000 yers BC), Buddhism (487 BC) nd Sikhism (1699 D). Indin society comprises six min religious groups: Hindus (83.2 per cent), Muslims (11 per cent), Sikhs (2 per cent), Christins (2 per cent), Jins nd Buddhists (less thn 1 per cent). There re over three thousnd cstes. Indi hs 179 lnguges nd 544 dilects. The Constitution recognises sixteen lnguges, Hindi nd English being the two officil lnguges. Indi hs one of the lrgest English-speking popultions in the si-Pcific region. The litercy rte for those over 15 yers of ge is 51 per cent, but litercy is unevenly distributed (Budhwr, 2000). These fcts show the diverse nture of the Indin workforce. Though rich in culture nd nturl resources, Indi currently fces number of problems: politicl nd religious instbility; ever-incresing levels of popultion; unemployment nd poverty; corruption in government offices; cstism; low per cpit income; instbility of output in griculture nd relted sectors; slow privtistion of the bloted public sector; lck of dequte intellectul property protection; excessive bureucrcy; nd n incresing gp between rich nd poor. The level of corruption in politics is rpidly rising. fter independence, the government set up 'Plnning Commission' in 1950 to formulte ntionl plns. Since then (till erly 1990s) 'mixed economy' pproch (emphsising both privte nd public enterprise) hs been dopted. Economic plnning is minly crried out through the five-yer plns nd industril policies. Presently, the ninth five yer-pln nd the industril policy begun in 1991 re in progress (see Dtt nd Sundhrm, 1999). The next section further highlights the present dynmic business environment nd the chllenges it hs creted for the HR function in Indi. Economic crisis nd liberlistion of Indin economy Despite the formlities of plnning, the Indin economy reched its ndir in 1991. It witnessed double digit rte of infltion, decelerted industril production, fiscl indiscipline, very high rtio of borrowing to the GNP (both internl nd externl) nd dismlly low level of foreign exchnge reserves. Foreign reserves hd become so low tht they were brely sufficient to meet the cost of three weeks' imports (Budhwr, 2001). The Indin government ws forced to pledge gold to the Bnk of Englnd to meet the country's foreign exchnge requirements. The World Bnk nd the IMF greed to bil out Indi on the condition tht it chnged to 'free mrket economy' from regulted regime. To meet the chllenges, the government nnounced series of economic policies beginning with the devlution of the rupee, followed by new industril policy nd fiscl nd trde policies. number of reforms were undertken in the public sector, in trde nd exchnge policy, in the bnking sector, nd foreign investment ws liberlised. Liberlistion of policies hs resulted in huge increse in competition for Indin firms with foreign firms. In ddition, Indin firms re now under gret pressure to chnge from indigenous, costly nd probbly less effective technology to high, more effective nd costly technology (Venkt Rtnm,
Monday, January 27, 2020
The Found Footage Phenomenon Film Studies Essay
The Found Footage Phenomenon Film Studies Essay The Blair Witch Project is a story of an attempt of three documentary film students to investigate the legends of the Blair Witch. Apparently skeptical, Heather, Joshua, and Michael enter the woods around Burkittsville, Maryland, with two cameras. Heather was determined to document everything in à «as straightforward way as possibleà ». As the documentarians go deeper, the friends become unsure of their whereabouts. Soon, they realize that they have lost their way. At night, the filmmakers hear bizarre noises, and in the morning, find three fresh rock mounds built outside their tent. The mood is charged with fear, frustration, and anger as the trio is trying to find their way out of the woods but seem to be entrapped and walk in circles. Their sense of doom is enhanced as one night, Joshua vanishes without a trace. Following his screams, Heather and Michael come to a deserted house in the woods. They go inside and search everywhere until Michael runs to the basement claiming that h e has heard Joshua there. The footage ends with Heather screaming and dropping the camera on the floor, the last image being of Michael with his face to a wall in the semi-dark basement. Being a mockumentary, The Blair Witch Project primarily draws on all the elements of the documentary genre to achieve its effects. While the movie was being created, the directors launched a marketing campaign by creating a website with fake reports of the three filmmakers missing and documents of the Blair Witch. Thus, as Emily Shaw points out, billed as a factual piece, the phenomenon quickly gained a cult following (386). It should be remembered that the impression produced by a documentary film is that of greater authenticity than made by a fictional film. According to Joseph H. Boggs and Dennis W. Petrie, even the first documentary productions emanated from what we could call the documentary urge of their creators, who wished, quite simply, to document lifeà » (460). However, the implication of the genre from which found footage takes its roots is more complex as documentary pictures do not merely record objective reality. Like nonfiction literature, a nonfiction film inevitabl y presents the subjective vision of its maker as well (461). Therefore, it is the blend of grainy-film objectivity and the subjective first-person narration of the camera-holder that seems to make the found footage genre so appealing. The director of photography of The Blair Witch Project Neal Fredericks recalls that most of the video footage was shot by Donahue, which was designed to provide a more immediate, you-are-there feeling for their day-to-day behind-the-scenes experiences on this fictional class project. Ive had some experience transferring video to film, so I knew that when we eventually transferred all of the footage to a 35mm print, the aesthetic qualities of the 35mm film would take some of the edge off the video, making it a bit softer and more pleasing to the eye (Pizzello, 100). Film experts have applauded Myrick and Sanchez for the enticing rawness of their approach. For example, Melinda Corey and George Ochoa noted that the movie shot on 16mm black and white and color digital video, was commended for its documentary style, blurring the lines between reality and fiction (131). Another expert, Kevin Harley, called The Blair Witch Project a guerilla-indie hit that, while drawing on mockumentary self-consciousness, channeled raw edge-of-sight fear. Blairs ambiguities amplify its resonances (110). The effect of their first-person narration technique of The Blair Witch Project was fascinating at the time; however, Myrick and Sanchez successors have since considerably ameliorated their method. The use of mirrors, for example, in Chronicle (director: Josh Trank, screenplay: Max Landis, cinematographer: Matthew Jensen), a story of three high-school students who acquire telekinetic powers, or Paranormal Activity (written, directed and filmed by Oren Peli) was innovative for the genre. In Chronicle, the mirrors not only advance its protagonists Andrews characterization as a narcissistic teenager but also help to make the movie more visually sophisticated than the early specimens of the genre. In Paranormal Activity, mirrors hint at its protagonists Katies and Micahs double selves as well as their relationships gradual disintegration. Another improvement in the found footage genre has been its expansion from the domain of horror (i.e. witches, spirits and daemons) to the science fiction film as illustrated, for example, by Cloverfield (2008) and Chronicle. The critic of culture Bruce Kawin has made a distinction between the effects that horror and science fiction films produce on the viewer. According to him, one goes to the horror film in order to have a nightmare, a dream whose undercurrent of anxiety both presents and masks the desire to fulfill and be punished for certain unconventionally unacceptable impulses. Moreover, Kawin claims that science fiction appeals to consciousness, horror to the unconscious (qtd. in Boggs, Petrie, 422). Another cultural critic J.P. Telotte commenting on sci-fi filmmaking points out that the genre has obviously staked out as its special territory the latest possibilities of artifice through the very latest of technological development in cinema. Tellote goes on to compliment the creators of science fiction films for finally making this artifice seem to be less its end than its methodà ¢Ã¢â ¬Ã ¦ simply a most effective wayà ¢Ã¢â ¬Ã ¦ for gauging the human (qtd. in Boggs, Petrie, 422). It is true that found footage films have progressively focused on exploring the human condition. One of the pervasive themes that unite The Blair Witch Project, Chronicle, and Paranormal Activity is their respective characters inability to cope with reality and isolation; besides, their handheld cameras play a vital role in this. One of the directors of The Blair Witch Project Eduardo Sanchez claims that he drew his inspiration for the movie from such movies as The Shining and The Exorcist. And just like in The Shining (produced and directed by Stanley Kubrick), a 1980 film about a janitor going insane in a snowbound hotel and taking it out on his wife and child, the pervasive theme of Myrick and Sanchezs mockumentary is psychological and physical isolation, which, acco rding to Sanchez, is the key to horror films (Fletcher, 29). While the three young filmmakers searching for the evidence of the Blair Witch find themselves cut off from the outside world, their leader Heather, perhaps, has always been so, for as Joshua half-jokingly remarks to her at one point in the movie: We see why you like this video camera so much. Its not quite reality. Its totally filtered reality. Its like you can pretend everythings not quite the way it is. Heather has no comment on this, but Joshuas banter is echoed in Chronicle, where Steven questions Andrew about always putting up a camera between himself and the world as a barrier, whereas in Paranormal Activity, Katie repeatedly blames Micah for preferring the camera to human communication. However, while no reasons are given for Heathers self-isolation behind her cameras eye, the subject is much better elaborated in more recent found-footage. In Chronicle, it is obviously Andrews abusive and alcoholic father and the terminal illness of his mother that drive him to conquer reality through the camera lens. In Paranormal Activity, Micahs camera plays a role of its own, initially used by him to identify the supernatural activity in the couples house but actually stimulates its outbursts and brings about his demise. It is noteworthy that modern home-video-look directors have detached the camera from the actor, thus defying the very notion of handheld and not without success. For instance, the telekinetic high-schoolers in Chronicle can make the camera float in the air, just like they do, or, like Micah in Paranormal Activity, leave it working on a tripod and review the footage later, thus creating a juxtaposition of the past and present-time planes in the narration something unimaginable in the early found-footage days. Moreover, unlike the late 20th-century hand-held cam fiction, the modern found-footage makers have increasingly been using conventional themes and narration techniques. Chronicle, for instance, is nothing but an account of a duel between good and evil, a subject common to dozens of Hollywood productions that even transcends the limitation of one plot line: the initially ambiguous but eventually fixed relationship of Matt and Casey is opposed to the chronicle of Andrews downfall. Furthermore, Chronicle appeals to its target audience by addressing the adolescent obsession with sex as well as the nerd-turned-Superhero theme, whereas the violent outbreaks of Paranormal Activity could be seen quite conventionally as an artistic metaphor for the love-hate relationship between Katie and Micah. The success of this hybrid approach has made even the forefathers of the found-footage genre redefine their priorities. According to one of the men behind The Blair Witch Project, Eduardo Sanchez, he has recently been frustrated by the idea of always having to have the camera on. This year, Sanchez has released Lovely Molly, a horror film shot partly with the help of handheld and partly with conventional camera. The director says, Whether its found footage or conventional filmmaking, a good idea will transcend (29+). Works Cited Leonard, Michael Williams. Artisan Entertainment, 1999 Boggs, Joseph H., Petrie, Dennis W. The Art of Watching Films. Mountain View, CA: Mayfield Publishing Company, 2000 Buzz Section. The Movie Book of Records. Total Film. Dec. 2007: 44-45 Corey, Melinda, and George Ochoa, Eds-in-Chief. The American Film Institute Desk Reference. New York: Dorling Kindersley Publishing, Inc. , 2002 Harley, Kevin, à «History of Horror. The 90s.à » Total Film. Nov. 2007: 110+ Pizzello, Stephen. Rev of The Blair Witch Project by Daniel Myrick and Eduardo Sanchez. American Cinematographer. Apr. 1999: 97-100. Sanchez, Eduardo. Director Interview: Lost and Found. Total Film. Issue 195 (2012): 29+ Shaw, Emily. Daniel Myrick. Contemporary North American Film Directors. A Wallflower Critical Guide. London and New York: Wallflower Press, 2002
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